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Exits from the LabyrinthCulture and Ideology in the Mexican National Space$
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Claudio Lomnitz-Adler

Print publication date: 1993

Print ISBN-13: 9780520077881

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520077881.001.0001

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Epilogue

Epilogue

Chapter:
(p.242) 14 Epilogue
Source:
Exits from the Labyrinth
Author(s):

Claudio Lomnitz-Adler

Publisher:
University of California Press
DOI:10.1525/california/9780520077881.003.0015

Power makes for a regional structure of places. This “structure of places” is made up of a set of loci for cultural interaction, and a set of ideologies about relative positions. “Places” are therefore both objective and subjective situations. “Culture” can be felt with conviction, or it can be played from an emotional distance. The spatial structures of cultural production that have been investigated reveal a kind of system to these processes of disaffection and conviction. Octavio Paz saw “masks” as reflections of solitude—as reflections of a personal and collective concealment because of their insecurity vis-à-vis others. He was probably right about the transition that Mexican culture was going through when he wrote The Labyrinth of Solitude. Paz also claimed that Mexican history was the history of a man looking for his filiation.

Keywords:   Mexican culture, Mexican history, Octavio Paz, spatial structures, disaffection, conviction

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