. “Captured on Film”: Bushmen and the Claptrap of Performative Primitives
. “Captured on Film”: Bushmen and the Claptrap of Performative Primitives
This chapter focuses on performative primitives in Africa. It examines how the Bushmen have become caught up in a dance that contains steps of their own devising but is at the same time staged by colonialism. It explains that performance is very much part of the ideological genealogy of the people of Kagga Kamma and suggests that those labeled Bushmen have actively and successfully exploited the ambiguities of their imposed identities.
Keywords: performative primitives, Africa, Bushmen, dance, performance, colonialism, ideological genealogy, Kagga Kamma
California Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.