Aesthetics and Analysis in Writing on Religion: Modern Fascinations
Aesthetics and Analysis in Writing on Religion: Modern Fascinations
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Abstract
This book addresses a fundamental dilemma in religious studies. Exploring the tension between humanistic and social scientific approaches to thinking and writing about religion, the author develops a line of argument that begins with the aesthetics of academic writing in the field. He shows that successful writers on religion employ characteristic aesthetic strategies in communicating their visions of human truths, and examines these strategies with regard to epistemology and to the study of religion as a collective endeavor. The author looks at whether a peculiarly expressive genre of writing on religion began at a specific moment in history and, if so, what this might suggest about the cultural significance about religio-historical practice.
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Front Matter
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Introduction: Modern Dilemmas in Writing on Religion
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Part One Ambivalent Feelings
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Part Two The Art of Writing on Religion
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Part Three Two Truths
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Part Four Working Together
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Interpreting Anew and Alone: Vision and Succession in Dutch Phenomenology
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9
Explaining Together: The Excitement of Diffusionist Ideas
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Interpreting Together: The Cambridge Ritualists' Affair of the Intellect
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Concepts of Collectivity and the Fabric of Religiohistorical Knowledge
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Afterword: The Future of Modern Dilemmas
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Interpreting Anew and Alone: Vision and Succession in Dutch Phenomenology
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End Matter
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