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Monteverdi's Last OperasA Venetian Trilogy$
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Ellen Rosand

Print publication date: 2007

Print ISBN-13: 9780520249349

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520249349.001.0001

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Epilogue

Epilogue

Chapter:
(p.379) Epilogue
Source:
Monteverdi's Last Operas
Author(s):

Ellen Rosand

Publisher:
University of California Press
DOI:10.1525/california/9780520249349.003.0009

This chapter places Monteverdi, the dramatist, within the context of the history of opera, as initiator of and participant in the grand tradition that links him with such figures as Handel and Mozart, and especially his co-nazionale—and near namesake—at the other end of that tradition, Giuseppe Verdi. Although the modern Monteverdi revival came long after his death, Verdi, by the example of his last operas, may have prepared the way for that new appreciation, reaffirming the dramatic power of music which his Venetian predecessor had first demonstrated over three centuries earlier.

Keywords:   Monteverdi, dramatist, opera, Handel, Mozart, Giuseppe Verdi, Monteverdi revival

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