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The Tonadilla in PerformanceLyric Comedy in Enlightenment Spain$
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Elisabeth Le Guin

Print publication date: 2013

Print ISBN-13: 9780520276307

Published to California Scholarship Online: May 2014

DOI: 10.1525/california/9780520276307.001.0001

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Late Tonadillas

Late Tonadillas

Chapter:
(p.205) 5 Late Tonadillas
Source:
The Tonadilla in Performance
Author(s):

Elisabeth Le Guin

Publisher:
University of California Press
DOI:10.1525/california/9780520276307.003.0007

José Subirá, author of the monumental 1932 study of the tonadillas that remains the core text about this genre, caustically dismissed post-1790 tonadillas for their increasing reliance on Italian bel canto style and consequent (as he saw it) abandonment of true musical Spanishness. This overtly nationalistic view has been perpetuated uncritically until very recently. This chapter essays an alternative to that view by echoing the approach of chapter 1, describing the course of an evening’s entertainment as it might have taken place on August 25, 1806, as Napoleon’s armies swarmed across Iberia, famine scoured the peninsula, and the terrible Guerra de Independencia loomed. The single tonadilla performed that night, a kind of relic of happier times, demonstrates the conservative aspect of comedy, just as previous chapters have demonstrated its subversiveness.

Keywords:   Napoleon, Guerra de Independencia, bel canto, nationalism, Isidoro Máiquez, Manuel Quintana, Pelayo, Pablo del Moral, comedy, conservatism

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