Jump to ContentJump to Main Navigation
Russian Music at Home and AbroadNew Essays$
Users without a subscription are not able to see the full content.

Richard Taruskin

Print publication date: 2016

Print ISBN-13: 9780520288089

Published to California Scholarship Online: May 2017

DOI: 10.1525/california/9780520288089.001.0001

Show Summary Details
Page of

PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use (for details see www.california.universitypressscholarship.com/page/535/privacy-policy-and-legal-notice).date: 17 December 2018

Just How Russian Was Stravinsky?

Just How Russian Was Stravinsky?

(p.361) 13 Just How Russian Was Stravinsky?
Russian Music at Home and Abroad

Richard Taruskin

University of California Press

Stravinsky’s career took him from Russia to Switzerland to France to the United States. He exemplified and explicitly asserted cosmopolitanism. Nevertheless, post-Soviet Russia has reclaimed him and in the West as well he is more likely than he used to be to be classified with other Russian composers. This article assesses the claim.

Keywords:   Stravinsky, nationalism, cosmopolitanism, exoticism

California Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.