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Russian Music at Home and AbroadNew Essays$
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Richard Taruskin

Print publication date: 2016

Print ISBN-13: 9780520288089

Published to California Scholarship Online: May 2017

DOI: 10.1525/california/9780520288089.001.0001

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In Stravinsky’s Songs, the True Man, No Ghostwriters

In Stravinsky’s Songs, the True Man, No Ghostwriters

(p.503) 19 In Stravinsky’s Songs, the True Man, No Ghostwriters
Russian Music at Home and Abroad

Richard Taruskin

University of California Press

Stravinsky’s songs are viewed as a barometer of his changing stylistic orientation. The songs written to folk texts during Stravinsky’s residence in Switzerland during World War I are viewed as a particularly important watershed for his style as it evolved from this “Russian” period into his “neoclassical” one.

Keywords:   Stravinsky, songs, Les Noces, prosody, textual declamation

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