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Schneider, D. (2006-11-06). Tradition Transcribed: The Rhapsody for Violin No. 1, the Politics of Folk-Music Research, and the Artifice of Authenticity. In Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality. : University of California Press. Retrieved 28 May. 2022, from https://california.universitypressscholarship.com/view/10.1525/california/9780520245037.001.0001/upso-9780520245037-chapter-6.

Schneider, David E. "Tradition Transcribed: The Rhapsody for Violin No. 1, the Politics of Folk-Music Research, and the Artifice of Authenticity." Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality. : University of California Press,  24. California Scholarship Online. Date Accessed 28 May. 2022 <https://california.universitypressscholarship.com/view/10.1525/california/9780520245037.001.0001/upso-9780520245037-chapter-6>.

Schneider, David E. "Tradition Transcribed: The Rhapsody for Violin No. 1, the Politics of Folk-Music Research, and the Artifice of Authenticity." In Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality, by Schneider, David.. University of California Press, 2006. California Scholarship Online, 2012. doi: 10.1525/california/9780520245037.003.0006.

Schneider DE. Tradition Transcribed: The Rhapsody for Violin No. 1, the Politics of Folk-Music Research, and the Artifice of Authenticity. In: Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality. University of California Press; 2006. https://california.universitypressscholarship.com/view/10.1525/california/9780520245037.001.0001/upso-9780520245037-chapter-6. Accessed May 28, 2022.