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Berger, K. (2007-10-02). Postlude Postlude Between Utopia and MelancholyBeethoven and the Aesthetic State. In Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. : University of California Press. Retrieved 19 May. 2022, from https://california.universitypressscholarship.com/view/10.1525/california/9780520250918.001.0001/upso-9780520250918-chapter-11.
Berger, Karol. "Postlude Postlude Between Utopia and MelancholyBeethoven and the Aesthetic State." Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. : University of California Press,
24. California Scholarship Online. Date Accessed 19 May. 2022 <https://california.universitypressscholarship.com/view/10.1525/california/9780520250918.001.0001/upso-9780520250918-chapter-11>.
Berger, Karol. "Postlude Postlude Between Utopia and MelancholyBeethoven and the Aesthetic State." In Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. University of California Press, 2007. California Scholarship Online, 2012. doi: 10.1525/california/9780520250918.003.0011.
Berger K. Postlude Postlude Between Utopia and MelancholyBeethoven and the Aesthetic State. In: Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. University of California Press; 2007. https://california.universitypressscholarship.com/view/10.1525/california/9780520250918.001.0001/upso-9780520250918-chapter-11. Accessed May 19, 2022.