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Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde$
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Georgina Born

Print publication date: 1995

Print ISBN-13: 9780520202160

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520202160.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 25 July 2021

Aporias

Aporias

Technological and Social Problems around Production

Chapter:
(p.252) Chapter IX Aporias
Source:
Rationalizing Culture
Author(s):

Born Georgina

Publisher:
University of California Press
DOI:10.1525/california/9780520202160.003.0010

This chapter examines the technological and social problems related to music production at the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM), also discussing the character of collaborative authorship, the oral culture of research, and IRCAM's problems of lack of stabilization and the lack of documentation of its research. It suggests that the coexistence within IRCAM of the overproduction of technical codes and texts with the institute's oral culture of mutual help was far from contradictory.

Keywords:   IRCAM, music production, collaborative authorship, oral culture, technical codes, mutual help

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