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Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde$
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Georgina Born

Print publication date: 1995

Print ISBN-13: 9780520202160

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520202160.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 25 July 2021

The Institution of IRCAM

The Institution of IRCAM

Culture and Status

Chapter:
(p.102) Chapter IV The Institution of IRCAM
Source:
Rationalizing Culture
Author(s):

Born Georgina

Publisher:
University of California Press
DOI:10.1525/california/9780520202160.003.0005

This chapter examines the culture and status of the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) as an institution, explaining that IRCAM began as a public institution as the music department of the Centre Georges Pompidou (CGP), and gained legal status as a semiautonomous private association with its own statutes in 1977. It also discusses IRCAM's organization, activities, population, and employment.

Keywords:   IRCAM, public institution, Centre Georges Pompidou, legal status, private association

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