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Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde$
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Georgina Born

Print publication date: 1995

Print ISBN-13: 9780520202160

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520202160.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 25 July 2021

Power, Institutional Conflict, Politics

Power, Institutional Conflict, Politics

Chapter:
(p.143) Chapter V Power, Institutional Conflict, Politics
Source:
Rationalizing Culture
Author(s):

Born Georgina

Publisher:
University of California Press
DOI:10.1525/california/9780520202160.003.0006

This chapter focuses on the politics, power, and institutional conflict at the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM), explaining that IRCAM's functioning has undermined the surface since it was permeated by irrational and highly imperfect bureaucratic processes, with both serious and trivial consequences. It discusses IRCAM's patronage and dual structure of power. The chapter also contends that while the presence of politics in IRCAM's higher research and production sphere consisted mainly of informal rivalries for intellectual prestige and charisma, and for the patronage which flowed from these, this sphere was equally characterized by two significant absences of political consciousness or practice of the politics of institutional and organized labor.

Keywords:   IRCAM, institutional conflict, bureaucratic process, research and production, political consciousness, organized labor

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