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Dead Man BluesJelly Roll Morton Way Out West$
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Phil Pastras

Print publication date: 2001

Print ISBN-13: 9780520215238

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520215238.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 26 September 2021

Prelude to a Riff

Prelude to a Riff

Chapter:
(p.1) CHAPTER 1 Prelude to a Riff
Source:
Dead Man Blues
Author(s):

Phil Pastras

Publisher:
University of California Press
DOI:10.1525/california/9780520215238.003.0001

Ferdinand “Jelly Roll” Morton played piano very well. His most famous boast was provoked by a broadcast of Robert Ripley's Believe It or Not radio program, which introduced W. C. Handy as the originator of jazz and the blues. Morton's bragging occasionally had the bitter overtone of jealousy or even of defeat. Music served either as a front for Morton's various illegal activities or as an adjunct to his work in vaudeville. The story Morton tells about his attempts to exorcise those demons helps to put his bragging and his brash self-confidence in a surprisingly poignant light. Morton's case is typical: in about five years (circa 1925–30) he went from star to has-been. The final trip to Los Angeles would seem to be, literally, a dead end, a final chorus of the “Dead Man Blues”.

Keywords:   Ferdinand Morton, Jelly Roll, Dead Man Blues, piano, music, vaudeville

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