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Dead Man BluesJelly Roll Morton Way Out West$
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Phil Pastras

Print publication date: 2001

Print ISBN-13: 9780520215238

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520215238.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 24 September 2021

L. A. Jelly, 1917–1923

L. A. Jelly, 1917–1923

Chapter:
(p.74) CHAPTER 3 L. A. Jelly, 1917–1923
Source:
Dead Man Blues
Author(s):

Phil Pastras

Publisher:
University of California Press
DOI:10.1525/california/9780520215238.003.0003

The story of Jelly Roll Morton's odyssey is set against the historical backdrop of the Great Migration. He did not simply get on the bandstand and play music. Instead, he was often responsible for staging a floor show with dancers, singers, comedians, and the like. His relationship with the Spikes brothers seems to have been a combination of friendly rivalry and business partnership. His notorious temperament may have cost him some work. It is believed that playing the part of Morton's wife must have been very stressful. The year 1919 marks the point when Spikes turned decisively to music as business. Several of Morton's compositions were attributed to Spikes-Morton-Spikes. The thematic material of “Dead Man Blues” provides some clues to “London Blues.” Jelly's West Coast years mark a crucial period of transition in his life and work.

Keywords:   Jelly Roll Morton, Spikes brothers, West Coast, Dead Man Blues, London Blues

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