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The Advent ProjectThe Later Seventh-Century Creation of the Roman Mass Proper$
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James McKinnon

Print publication date: 2000

Print ISBN-13: 9780520221987

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520221987.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 23 September 2019

The Tract

The Tract

Chapter:
(p.280) CHAPTER 11 The Tract
Source:
The Advent Project
Author(s):

James Mckinnon

Publisher:
University of California Press
DOI:10.1525/california/9780520221987.003.0012

This chapter gives an overview on the origin of seventh-century Roman tracts. Laudate dominum could be the earliest of all tracts, sung in conjunction with the alleluia-psalm Confitemini already in the fourth century. Quadragesima Sunday's Qui habitat and Palm Sunday's Deus deus meus may be nearly as ancient, dating perhaps to the time of the establishment of regular Fore-Mass psalmody at Rome, that is, the early to mid-fifth century. The Holy Week chants, Wednesday's Domine exaudi and Friday's Domine audivi, might date to roughly the same period. The ur-tract Laudate dominum was sung in the G-tonality, but the four fifth-century Roman chants were sung in the D-tonality. The latter tonality was not used again for permanently assigned psalms in directum, although a D-2 responsorial psalm, De necessitatibus or Ad te domine, was given the form of a tract in seventh-century Rome. The three psalms in directum to receive permanent assignments are Ad te levavi, Qui confidunt and Saepe expugnaverunt, which are sung on the remaining Sundays of Lent.

Keywords:   Roman tract, Laudate dominum, D-tonality, G-tonality, Holy Week chants, Roman chants

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