Jump to ContentJump to Main Navigation
Revealing MasksExotic Influences and Ritualized Performance in Modernist Music Theater$
Users without a subscription are not able to see the full content.

W. Anthony Sheppard

Print publication date: 2001

Print ISBN-13: 9780520223028

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520223028.001.0001

Show Summary Details
Page of

PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 29 July 2021

Later British Mysteries

Later British Mysteries

Chapter:
(p.155) 10 Later British Mysteries
Source:
Revealing Masks
Author(s):

W. Anthony Sheppard

Publisher:
University of California Press
DOI:10.1525/california/9780520223028.003.0010

Britten did not return to the Church Parable genre after completing The Prodigal Son, nor did other composers directly adopt the form. However, some of the features developed in Britten's three Church Parables were to influence British music theater and opera throughout the remaining decades of the century. The three most prominent figures interested in creating works of ritualistic music theater were Peter Maxwell Davies, Alexander Goehr, and Harrison Birtwistle. With the 1967 formation of the Pierrot Players by Davies and Birtwistle, music theater became the central genre or performance ideal of the British musical avant-garde. Music theater soon transgressed the loose generic boundaries established by earlier figures and came to invade all forms of concert music.

Keywords:   British music theater, Peter Maxwell Davies, Alexander Goehr, Harrison Birtwistle, concert music

California Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.