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Fascist ModernitiesItaly, 1922-1945$
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Ruth Ben-Ghiat

Print publication date: 2001

Print ISBN-13: 9780520223639

Published to California Scholarship Online: March 2012

DOI: 10.1525/california/9780520223639.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 29 July 2021

Envisioning Modernity

Envisioning Modernity

Chapter:
(p.70) 3 Envisioning Modernity
Source:
Fascist Modernities
Author(s):

Ruth Ben-Ghiat

Publisher:
University of California Press
DOI:10.1525/california/9780520223639.003.0004

This chapter examines the ways in which the films participated in Benito Mussolini's regeneration campaign and in the creation of a distinctly Italian and fascist model of modernity. By 1933, films had replaced novels as the source of new models for youth. Fascist officials also recognized cinema's extraordinary communicative potential and granted films a central role in their attempts to transform ideologies and lifestyles. The government then established the documentary production center Istituto Luce and newsreels and instructional movies became frontline weapons in the bonifica campaigns that Mussolini's government unleashed on Italians.

Keywords:   films, Benito Mussolini, regeneration campaign, fascist model, modernity, cinemas, Istituto Luce

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