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Harlem in MontmartreA Paris Jazz Story between the Great Wars$
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William Shack

Print publication date: 2001

Print ISBN-13: 9780520225374

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520225374.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 22 September 2021

Final Notes

Final Notes

The Liberation of Jazz

(p.124) 7 Final Notes
Harlem in Montmartre

William A. Shack

University of California Press

Louis Armstrong's gravelly voice symbolized Paris liberated as much as General Charles de Gaulle's victory parade down the Champs-Élysées. On 25 August 1944 General Dietrich von Cholitz had just signed the act of capitulation of German forces occupying Paris. And on that day in August 1944, black American soldiers—having fought German forces a second time in thirty years in order to rekindle the dimmed lights of the city of Paris—stood poised, ready to relish marching in de Gaulle's victory parade. The presence of black American soldiers in this historic event would have been unrecorded except for the reports of African American war correspondents on assignments for the Negro press. Observing the parade, Ollie Stewart, correspondent for the Baltimore Afro-American, linked the liberation of Paris to that of black American soldiers from the racism of America. This generation of black GIs unwittingly became part of the legends when those with musical talent took part in the rebirth of jazz in liberated Paris.

Keywords:   black American soldiers, jazz, Paris, liberation

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