Show Summary Details
- Title Pages
- Roth Family Foundation
- Acknowledgments
- Introduction
-
1 Composers and Their Audience in the Thirties -
2 Nationalism -
3 Is Music in Decline? -
4 Rendezvous with Apollo: Form Is Feeling -
5 Reinventing the Past: Pastiche, Collage, or “Criticism”? -
6 Serialism: Composer as Theorist -
7 Rapprochement or Friendly Takeover? -
8 Postmodern Music -
9 Virgil Thomson and the Press -
10 Music on My Beat -
11 PNM and the Ph.D. -
12 A Tale of Two Critics: Rosenfeld and Haggin -
13 Do We Hear What We Say We Hear? -
14 New Linguistic Modes and the New Theory -
15 The Octatonic Scale -
16 Backstage at the Opera -
17 A Tale of Two Conductors: Koussevitzky and Mitropoulos -
18 From My Diary: Brief Encounters -
Appendix From My Scrapbook - Index
(p.vii) Acknowledgments
(p.vii) Acknowledgments
- Source:
- Reflections of an American Composer
- Publisher:
- University of California Press
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- Title Pages
- Roth Family Foundation
- Acknowledgments
- Introduction
-
1 Composers and Their Audience in the Thirties -
2 Nationalism -
3 Is Music in Decline? -
4 Rendezvous with Apollo: Form Is Feeling -
5 Reinventing the Past: Pastiche, Collage, or “Criticism”? -
6 Serialism: Composer as Theorist -
7 Rapprochement or Friendly Takeover? -
8 Postmodern Music -
9 Virgil Thomson and the Press -
10 Music on My Beat -
11 PNM and the Ph.D. -
12 A Tale of Two Critics: Rosenfeld and Haggin -
13 Do We Hear What We Say We Hear? -
14 New Linguistic Modes and the New Theory -
15 The Octatonic Scale -
16 Backstage at the Opera -
17 A Tale of Two Conductors: Koussevitzky and Mitropoulos -
18 From My Diary: Brief Encounters -
Appendix From My Scrapbook - Index