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The Lost Tapestries of the City of LadiesChristine de Pizan's Renaissance Legacy$
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Susan Groag Bell

Print publication date: 2004

Print ISBN-13: 9780520234109

Published to California Scholarship Online: March 2012

DOI: 10.1525/california/9780520234109.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 23 October 2019

Christine de Pizan's Legacy to the Renaissance

Christine de Pizan's Legacy to the Renaissance

Chapter:
(p.149) Chapter Ten Christine de Pizan's Legacy to the Renaissance
Source:
The Lost Tapestries of the City of Ladies
Author(s):

Susan Groag Bell

Publisher:
University of California Press
DOI:10.1525/california/9780520234109.003.0010

This chapter discusses the legacy of Christine de Pizan's life and creative career during the Renaissance. Books must be read; music must be heard; paintings and tapestries must be seen and appreciated. Art requires an audience, and one must therefore contemplates the audience in addition to meditating upon the artist or the work of art. It was as important to understand the context and the function of these tapestries as to be able to visualize their beauty. These considerations constitute one important reason for tracing the existence of these elusive City of Ladies tapestries, but there are more. First and foremost these tapestries anchored de Pizan's legacy to the world of culture for some two hundred years after her death. Second, at a time of outstanding Flemish creativity, de Pizan's Book of the City of Ladies offered not only fresh but in many ways unprecedented subject matter for tapestries, which had hitherto been unexplored.

Keywords:   legacy, Christine de Pizan, Renaissance, tapestries, audience, Book of the City of Ladies, culture

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