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The Lost Tapestries of the City of LadiesChristine de Pizan's Renaissance Legacy$
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Susan Groag Bell

Print publication date: 2004

Print ISBN-13: 9780520234109

Published to California Scholarship Online: March 2012

DOI: 10.1525/california/9780520234109.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 18 October 2019

Christine de Pizan

Christine de Pizan

Chapter:
(p.9) Chapter Two Christine de Pizan
Source:
The Lost Tapestries of the City of Ladies
Author(s):

Susan Groag Bell

Publisher:
University of California Press
DOI:10.1525/california/9780520234109.003.0002

As a figure of the early Renaissance, Christine de Pizan was unparalleled. She was not only a female author but a lay woman who, as a widowed mother of three, supported herself and her family with her pen. She moved in the circles of the French court, yet her intellectual life lay in the world of scholars. Over the years she produced some thirty separate books, essays, and volumes of poetry and counted among her patrons some of the most renowned figures of the fifteenth century. The fourteenth and fifteenth centuries were a turbulent time of the Hundred Years' War, peasant revolts, the ravages of the Black Death all took their place beside festive tournaments, ballads of courtly love, and the slowly decaying traditions of chivalry. Christine de Pizan was a part of this world, swept up by the latest ideas in art and poetry and yet deeply attached to her faith in Christianity.

Keywords:   Renaissance, Christine de Pizan, poetry, Hundred Years' War, Black Death, Christianity

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