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Song Loves the MassesHerder on Music and Nationalism$
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Johann Gottfried Herder and Philip V. Bohlman

Print publication date: 2017

Print ISBN-13: 9780520234949

Published to California Scholarship Online: September 2017

DOI: 10.1525/california/9780520234949.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 15 June 2021

Prologue

Prologue

Again, Herder

Chapter:
(p.1) Prologue
Source:
Song Loves the Masses
Author(s):

Johann Gottfried Herder

Philip V. Bohlman

Publisher:
University of California Press
DOI:10.1525/california/9780520234949.003.0001

Over the course of more than two centuries modern readers have returned to Johann Gottfried Herder’s writings because of the wide-ranging influence on the many areas of thought that are foundational to modern intellectual history. In this prologue, Herder’s contributions to theological writings from world religions provide touchstones for the foundations of world music in intellectual history. His studies of Christianity and Judaism, as well as early Hindu writings, become common historical subject matter, joined through translation and the widespread presence of music in seminal texts. The prologue identifies the ways in which Herder’s universal thought leads to a new aesthetic and ontology of music, combining the object of song with the subject of singing.

Keywords:   Christian aesthetics, Enlightenment, Epic, Folk song, Jewish aesthetics, Moses Mendelssohn, Singing as subject, Song as object, Song of Songs, Translation

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