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Beyond Structural Listening?Postmodern Modes of Hearing$
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Andrew Dell'Antonio

Print publication date: 2004

Print ISBN-13: 9780520237575

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520237575.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 17 October 2019

The Return of the Aesthetic

The Return of the Aesthetic

Musical Formalism and Its Place in Political Critique

Chapter:
(p.252) Nine The Return of the Aesthetic
Source:
Beyond Structural Listening?
Author(s):

Andrew Dell'Antonio

Publisher:
University of California Press
DOI:10.1525/california/9780520237575.003.0010

The turn to cultural critique brought a new agenda to the academic study of music that sets out to contest the status quo, effect positive social change, and resist negative social change. This chapter shares a deep concern for the social and political issues raised by this critique and argues for the importance of aesthetic values and formal characteristics specific to musical texts. The chapter presents various examples through which it demonstrates how various formal music analyses can alleviate concrete political difficulties in different social contexts. The chapter elaborates various means of resisting the ideological closure and programmatic constraints of recent trends in musicology and discusses new kinds of closure and constraint produced by music analysis that may be politically beneficial in various quarters. It also questions Subotnik's text, and compares the practice of deconstruction with the work of specific music theorists, which can set the stage for various proposals for the politically strategic use of musical formalism.

Keywords:   cultural critique, social change, aesthetics, musical texts, music analyses, musical formalism, musicology, music theorists

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