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Performing EthnomusicologyTeaching and Representation in World Music Ensembles$
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Ted Solis

Print publication date: 2004

Print ISBN-13: 9780520238749

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520238749.001.0001

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Community of Comfort

Community of Comfort

Negotiating a World of “Latin Marimba”

Chapter:
(p.229) Chapter 13 Community of Comfort
Source:
Performing Ethnomusicology
Author(s):

Ted SolÍs

Publisher:
University of California Press
DOI:10.1525/california/9780520238749.003.0014

This chapter provides an overview on a Latin Marimba ensemble that the author has developed and taught. It highlights how the author had initially modeled this ensemble and its performative world on the regional marimba ensemble of the southeastern Mexican states of Chiapas, Tabasco, and Oaxaca. By the nineteenth century the marimba was a chromatic instrument with a double keyboard. It draws attention to the role of the eminent sarod artist and thoroughly modern Buddhadev Dasgupta in the incorporation of innovative pedagogical methods into the venerable Hindustani tradition that influenced the author's later interrogation of musical orthodoxies. It later discusses the importance of the words “ethno” and “ensemble” for the author's life and career and also illustrates how the author was associated with Mexican marimba. The ensemble itself is built upon a traditional base. As the author researched and learned, it became part of his performance practice without examination or sometimes with considerable adaptation.

Keywords:   Latin marimba, marimba ensemble, Hindustani tradition, Mexican marimba, marimba, ensemble

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