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The Final Victim of the BlacklistJohn Howard Lawson, Dean of the Hollywood Ten$
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Gerald Horne

Print publication date: 2006

Print ISBN-13: 9780520243729

Published to California Scholarship Online: March 2012

DOI: 10.1525/california/9780520243729.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 26 July 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
The Final Victim of the Blacklist
Author(s):

Gerald Horne

Publisher:
University of California Press
DOI:10.1525/california/9780520243729.003.0020

John Howard Lawson is constructed as the epitome of the humorless, rigid, dogmatic, unsmiling, doctrinaire Communist, mixing ruthlessness promiscuously with insensitivity. He may very well be the most notorious U.S. Communist; therefore, the inexorable gravity of anticommunism may help shed light on why this screenwriter's image has been so tarnished. Lawson had a complicated family life due to his difficult relationship with his son (Jeffrey), and perhaps his brother, and also Jeffrey's mother, Sue. Lawson's heavily criticized reluctance to acknowledge his party membership in congressional hearings and elsewhere has been subject to retrospective reevaluation. Lawson was convinced that the “blacklist” played a major role in Hollywood's manifold postwar problems. One cannot comprehend the ferocity unleashed against this man and his community unless one begins to understand how both came to be.

Keywords:   John Howard Lawson, U.S. Communist, anticommunism, blacklist, congressional hearings, Hollywood, postwar problems, screenwriter

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