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- Title Pages
- [UNTITLED]
- Preface
- Abbreviations
- Introduction: The Aesthetics of Japanese Fascism
-
1 . Modernist Beginnings: Akutagawa Ryūnosuke and Kobayashi Hideo -
2 . The Beauty of Violence: Yasuda Yojūrō’s “Japanese Bridges” -
3 . Objects of the Sublime in Literary Writing: Yasuda Yojūrō, Yanagi Sōetsu, Kawabata Yasunari, and Shiga Naoya -
4 . The Rhetoric of Unspoken Fascism: The Essence of the National Polity -
5 . Sentimental Fascism on Screen: Mother under the Eyelids -
6 . An Aesthetics of Devotion: Kobayashi Hideo’s Cultural Criticism -
7 . Filaments of Fascism in Postwar Times - Coda: Reading Fascist Aesthetics
- Index
- Studies of the Weatherhead East Asian Institute
Title Pages
Title Pages
- Source:
- The Aesthetics of Japanese Fascism
- Publisher:
- University of California Press
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- Title Pages
- [UNTITLED]
- Preface
- Abbreviations
- Introduction: The Aesthetics of Japanese Fascism
-
1 . Modernist Beginnings: Akutagawa Ryūnosuke and Kobayashi Hideo -
2 . The Beauty of Violence: Yasuda Yojūrō’s “Japanese Bridges” -
3 . Objects of the Sublime in Literary Writing: Yasuda Yojūrō, Yanagi Sōetsu, Kawabata Yasunari, and Shiga Naoya -
4 . The Rhetoric of Unspoken Fascism: The Essence of the National Polity -
5 . Sentimental Fascism on Screen: Mother under the Eyelids -
6 . An Aesthetics of Devotion: Kobayashi Hideo’s Cultural Criticism -
7 . Filaments of Fascism in Postwar Times - Coda: Reading Fascist Aesthetics
- Index
- Studies of the Weatherhead East Asian Institute
