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The Dark TreeJazz and the Community Arts in Los Angeles$
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Steve Isoardi

Print publication date: 2006

Print ISBN-13: 9780520245914

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520245914.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 28 September 2021

The Hero's Last Dance

The Hero's Last Dance

The ′90s Resurgence

Chapter:
(p.223) 10 The Hero's Last Dance
Source:
The Dark Tree
Author(s):

Steven L. Isoardi

Publisher:
University of California Press
DOI:10.1525/california/9780520245914.003.0010

This chapter focuses on the resurgence of the Underground Musicians and Artists Association (UGMAA) and Pan Afrikan Peoples Arkestra (PAPA) in the 1990s. It describes the effect of the 1992 uprising, a multiracial reaction to accumulating social and economic inequalities and injustices, on the organizations. It explains that while the uprising did little to alter the economic status quo, it did to some extent lift the torpid social atmosphere of the 1980s and galvanized the community's artists. The community arts movement of South Central Los Angeles was also rejuvenated.

Keywords:   1992 uprising, economic inequalities, community arts movements, Los Angeles

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