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The Dark TreeJazz and the Community Arts in Los Angeles$
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The Dark Tree: Jazz and the Community Arts in Los Angeles

Steve Isoardi

Print publication date: 2006

Print ISBN-13: 9780520245914

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520245914.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 24 July 2021

The Black Apostles

The Black Apostles

The Arkestra/UGMAA Ethos and Aesthetic

Chapter:
(p.272) 12 The Black Apostles
Source:
The Dark Tree
Author(s):

Steven L. Isoardi

Publisher:
University of California Press
DOI:10.1525/california/9780520245914.003.0012

This chapter examines the ethos and aesthetic of the Union of God's Musicians and Artists Ascension (UGMAA) and the Pan Afrikan Peoples Arkestra (PAPA). It suggests that the success of the organizations depended on the hundreds of artists who came together around Horace Tapscott's vision of a collective, community-based arts movement. These members developed that vision into an ethos of community involvement and an aesthetic rooted in African American social life incorporating aspects of West African cultural tradition.

Keywords:   ethos, aesthetic, artists, Horace Tapscott, arts movement, community involvement, social life, cultural tradition

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