Warriors All
Warriors All
UGMA in the Middle of It
This chapter highlights the role of the Underground Musicians Association (UGMA) in the Watts uprising. It explains that the cultural resurgence and growing politicization of the community brought about by the uprising not only reinforced UGMA's purpose but also presented it with more tasks, more members, and a growing circle of supporters. Much of this was expressed in the association's music, particularly the first recording sessions (1968-69) which codified their work in the 1960s of preserving the African American heritage, pushing the boundaries of that music, and reflecting the concerns and issues of their community.
Keywords: Watts uprising, cultural resurgence, politicization, music, African American heritage
California Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.