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Desire and Pleasure in Seventeenth-Century Music$
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Susan McClary

Print publication date: 2012

Print ISBN-13: 9780520247345

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520247345.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 03 June 2020

Prelude: The Music of Pleasure and Desire

Prelude: The Music of Pleasure and Desire

Chapter:
(p.1) Prelude: The Music of Pleasure and Desire
Source:
Desire and Pleasure in Seventeenth-Century Music
Author(s):

Susan Mcclary

Publisher:
University of California Press
DOI:10.1525/california/9780520247345.003.0001

The prologue deals with the principal reason seventeenth-century music has been regarded as incoherent or resistant to analysis: the tendency of historians and theorists to assume the tenets of eighteenth-century tonality as universal. In contrast to that teleological approach, Desire and Pleasure assumes that human societies create music that corresponds to their own expressive priorities. The book attempt to understand why the devices and grammars deployed by seventeenth-century composers appeared advantageous for particular kinds of cultural work.

Keywords:   stylistic change, modal analysis, origins of tonality, historiography

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