- Title Pages
Chapter 1Late Qing Institutions of Peking Opera
Chapter 2From Teahouse to Playhouse
Chapter 3The Experimental Stage, 1895–1920
Chapter 4May Fourth Realism and Qi Rushan’s Theory of National Drama
Chapter 5Landscape and Figure, Nation and Character
Chapter 6The Limits of Reform
Chapter 7The Gendering of National Culture, Or, The Only Good Woman is a Man
Chapter 8Nationalization through Iconification
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