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New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification$
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Amy Beal

Print publication date: 2006

Print ISBN-13: 9780520247550

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520247550.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 20 October 2019

Musics of Change

Musics of Change

Action eifter Cage (1959–1961)

Chapter:
(p.105) Four Musics of Change
Source:
New Music, New Allies
Author(s):

Amy C. Beal

Publisher:
University of California Press
DOI:10.1525/california/9780520247550.003.0005

This chapter outlines the extent of John Cage's influence in Darmstadt and elsewhere and documents how German composers, musicians, critics, and patrons reacted to American experimentalism. It suggests that Cage's ideas had helped introduce greater freedom in the use of musical material, new ways of working with musical time, and works based on process and conceptual compositions. Several articles published in the late 1950s and Cage's own articles also helped enhance West German conceptions of an American experimental tradition.

Keywords:   John Cage, Darmstadt, American experimentalism, musical material, conceptual compositions, German composers, musical time

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