- Title Pages
-
Roth Family Foundation
- [UNTITLED]
- [UNTITLED]
- Dedication
- [UNTITLED]
- Preface
-
Chapter One Gershwin and His Family -
Chapter Two Gershwin's Musical Education to the Rhapsody in Blue (1924) -
Chapter Three Gershwin and the New Popular Music -
Chapter Four The Popular Pianist -
Chapter Five Toward a Career in the Theater -
Chapter Six Gershwin among His Friends -
Chapter Seven Later Studies -
Chapter Eight Gershwin and the Great Tradition -
Chapter Nine Gershwin and Popular Music and Jazz after 1920 -
Chapter Ten Working Methods -
Chapter Eleven Gershwin the Man -
Chapter Twelve From “Ragging the Traumerei” (ca. 1913) to The Capitol Revue (1919) -
Chapter Thirteen From Morris Gest's Midnight Whirl (1919) to The Perfect Fool (1921) -
Chapter Fourteen From The French Doll to Our Nell (1922) -
Chapter Fifteen From The Sunshine Trail to Sweet Little Devil (1923) -
Chapter Sixteen The Rhapsody in Blue (1924) -
Chapter Seventeen The Scandals of 1924, Primrose, and Lady, Be Good! (1924) -
Chapter Eighteen Short Story, Tell Me More, and the Concerto in F (1925) -
Chapter Nineteen Tip-Toes and Song of the Flame (1925) -
Chapter Twenty Oh, Kay! and Other Works (1926) -
Chapter Twenty-One Strike Up the Band and Funny Face (1927) -
Chapter Twenty-Two Rosalie and Treasure Girl (1928) -
Chapter Twenty-Three An American in Paris (1928) and East Is West (1929) -
Chapter Twenty-Four Show Girl and The Dybbuk (1929) -
Chapter Twenty-Five Girl Crazy (1930) -
Chapter Twenty-Six Delicious and the Second Rhapsody (1931) -
Chapter Twenty-Seven Of Thee I Sing (1931) -
Chapter Twenty-Eight George Gershwin's Song-Book (1932) -
Chapter Twenty-Nine The Cuban Overture (1932) and Pardon My English (1933) -
Chapter Thirty Let ʼEm Eat Cake (1933) and Variations on “I Got Rhythm” (1934) -
Chapter Thirty-One Porgy and Bess (1935) -
Chapter Thirty-Two The First Production of Porgy and Bess -
Chapter Thirty-Three Porgy and Bess in Revival -
Chapter Thirty-Four Porgy and Bess on Disc, Film, and the Concert Stage -
Chapter Thirty-Five From Swing Is King (1936) to A Damsel in Distress (1937) -
Chapter Thirty-Six From The Goldwyn Follies (1938) to Kiss Me, Stupid (1964) - Conclusion
- Selected Bibliography
- Index
Gershwin the Man
Gershwin the Man
Gershwin liked the accoutrements of wealth, but did not care as much about money as his brother Ira, in whose hands he often left business matters. Considering the sedentary life of a composer, athletics and dancing helped channel his extraordinary physical energy. In other ways, George and Ira were alike. Both inherited from their parents a love for the theater, an interest in horse racing, a fondness for card games, and a general love of gambling. About the same time that George began collecting art, he started drawing and painting more seriously as well, and, in his later years, avidly took up photography as well. His enormous drive presumably contributed to his chronic gastrointestinal problems, including indigestion, constipation, and cramps. Gershwin died on July 11, 1937 at the age of 38, at Cedars of Lebanon Hospital following surgery for a brain tumor.
Keywords: Ira Gershwin, George Gershwin, collecting art, gastrointestinal problems, photography, Cedars of Lebanon, brain tumor
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- Title Pages
-
Roth Family Foundation
- [UNTITLED]
- [UNTITLED]
- Dedication
- [UNTITLED]
- Preface
-
Chapter One Gershwin and His Family -
Chapter Two Gershwin's Musical Education to the Rhapsody in Blue (1924) -
Chapter Three Gershwin and the New Popular Music -
Chapter Four The Popular Pianist -
Chapter Five Toward a Career in the Theater -
Chapter Six Gershwin among His Friends -
Chapter Seven Later Studies -
Chapter Eight Gershwin and the Great Tradition -
Chapter Nine Gershwin and Popular Music and Jazz after 1920 -
Chapter Ten Working Methods -
Chapter Eleven Gershwin the Man -
Chapter Twelve From “Ragging the Traumerei” (ca. 1913) to The Capitol Revue (1919) -
Chapter Thirteen From Morris Gest's Midnight Whirl (1919) to The Perfect Fool (1921) -
Chapter Fourteen From The French Doll to Our Nell (1922) -
Chapter Fifteen From The Sunshine Trail to Sweet Little Devil (1923) -
Chapter Sixteen The Rhapsody in Blue (1924) -
Chapter Seventeen The Scandals of 1924, Primrose, and Lady, Be Good! (1924) -
Chapter Eighteen Short Story, Tell Me More, and the Concerto in F (1925) -
Chapter Nineteen Tip-Toes and Song of the Flame (1925) -
Chapter Twenty Oh, Kay! and Other Works (1926) -
Chapter Twenty-One Strike Up the Band and Funny Face (1927) -
Chapter Twenty-Two Rosalie and Treasure Girl (1928) -
Chapter Twenty-Three An American in Paris (1928) and East Is West (1929) -
Chapter Twenty-Four Show Girl and The Dybbuk (1929) -
Chapter Twenty-Five Girl Crazy (1930) -
Chapter Twenty-Six Delicious and the Second Rhapsody (1931) -
Chapter Twenty-Seven Of Thee I Sing (1931) -
Chapter Twenty-Eight George Gershwin's Song-Book (1932) -
Chapter Twenty-Nine The Cuban Overture (1932) and Pardon My English (1933) -
Chapter Thirty Let ʼEm Eat Cake (1933) and Variations on “I Got Rhythm” (1934) -
Chapter Thirty-One Porgy and Bess (1935) -
Chapter Thirty-Two The First Production of Porgy and Bess -
Chapter Thirty-Three Porgy and Bess in Revival -
Chapter Thirty-Four Porgy and Bess on Disc, Film, and the Concert Stage -
Chapter Thirty-Five From Swing Is King (1936) to A Damsel in Distress (1937) -
Chapter Thirty-Six From The Goldwyn Follies (1938) to Kiss Me, Stupid (1964) - Conclusion
- Selected Bibliography
- Index
