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Proud to Be an OkieCultural Politics, Country Music, and Migration to Southern California$
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Peter La Chapelle

Print publication date: 2007

Print ISBN-13: 9780520248885

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520248885.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 25 May 2022

Playing Second Fiddle no More?

Playing Second Fiddle no More?

Country Music, Domesticity, and the Women's Movement

Chapter:
(p.159) 5 Playing Second Fiddle no More?
Source:
Proud to Be an Okie
Author(s):

Peter La Chapelle

Publisher:
University of California Press
DOI:10.1525/california/9780520248885.003.0006

Although the gender politics of local country music moved in conservative directions, especially within some segments of fan culture, new women auteurs began playing significant and often underacknowledged roles in challenging the constrictions that women faced in the 1950s and 1960s. This chapter explores the complex interplay between the progressive messages offered by these female Okie stars and the general gender conservatism of locally produced country music fan magazines.

Keywords:   country music, gender politics, female Okie stars, music fan magazines, gender conservatism

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