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Making the SceneContemporary New York City Big Band Jazz$
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Alex Stewart

Print publication date: 2007

Print ISBN-13: 9780520249530

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520249530.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 26 July 2021

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Chapter:
(p.309) Outro
Source:
Making the Scene
Author(s):

Alex Stewart

Publisher:
University of California Press
DOI:10.1525/california/9780520249530.003.0013

This chapter concludes the book, engages in conversation some of the recurrent ideas, suggests a few practical applications of this study, and sounds some unresolved themes. One of the main criticisms leveled at big bands has been that they betray ideals of individualism in jazz and in African American culture. Meanwhile, much of the evidence gathered in this book suggests that jazz musicians are more open to exploration of gender and sexual identity than is commonly believed. The chapter notes that the 1990s may prove to be watershed years in jazz for the groundswell of interest in composition and big bands. The involvement of so many musicians—more than eighty-five big bands in New York alone, most playing original music—suggests that a foundation for the creation of substantial new orchestral jazz repertoire already exists.

Keywords:   New York, jazz, big bands, orchestral jazz, African American culture

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