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Making the SceneContemporary New York City Big Band Jazz$
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Alex Stewart

Print publication date: 2007

Print ISBN-13: 9780520249530

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520249530.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 29 July 2021

“In the Crack” to “Totally Outside”: Avant-Garde Bands

“In the Crack” to “Totally Outside”: Avant-Garde Bands

Chapter:
(p.203) Chapter 8 “In the Crack” to “Totally Outside”: Avant-Garde Bands
Source:
Making the Scene
Author(s):

Alex Stewart

Publisher:
University of California Press
DOI:10.1525/california/9780520249530.003.0009

This chapter discusses the avant-garde or experimental bands studied. In these types of bands, Andrew Hill and William Parker deconstruct boundaries between composition and improvisation, further elevating the musical freedom of their musicians. Andrew Hill began to explore “the crack” between composition and improvisation in his earliest recordings as a leader in the 1960s. Hill also works stylistic and social boundaries, bringing together experimental musicians such as Eric Dolphy and more traditional modernists such as Kenny Dorham. William Parker, though of a later generation, was attracted to the radical avant-gardism of the Black Arts movement of the 1960s. As a youthful bassist coming up in the early 1970s, he participated in Jazzmobile classes and workshops in Harlem, and eventually went to work with the pianist Cecil Taylor.

Keywords:   avant-garde bands, experimental bands, Andrew Hill, William Parker, musical improvisation, musical freedom, Black Arts movement

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