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The Danger of Music and Other Anti-Utopian Essays$
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Richard Taruskin

Print publication date: 2008

Print ISBN-13: 9780520249776

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520249776.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 18 September 2021

The Danger of Music and the Case for Control

The Danger of Music and the Case for Control

Chapter:
(p.168) 26 The Danger of Music and the Case for Control
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The Danger of Music and Other Anti-Utopian Essays
Author(s):

Richard Taruskin

Publisher:
University of California Press
DOI:10.1525/california/9780520249776.003.0026

This chapter discusses how music was treated in different countries for example by the Taliban and in Afghanistan. In Afghanistan music was totally banned, whereas in other countries music was under rigorous censorship. After taking power in 1996, the Islamic fundamentalists who ruled most of Afghanistan undertook search-and-destroy missions in which musical instruments and cassette players were seized and burned in public pyres. Wooden poles were festooned with great ribbons of confiscated audio- and videotape as a reminder of the ban. Musicians caught in the act were beaten with their instruments and imprisoned for as many as forty days. In Utopia, puritans, and totalitarians have always sought to regulate music if not forbid it outright. Ayatollah Ruhollah Khomeini, probably the Taliban's immediate model, banned it from Iranian radio and television in 1979, because its effects, he said, were like those of opium, “stupefying persons listening to it and making their brains inactive and frivolous.”

Keywords:   totalitarians, puritans, Afghanistan, Taliban, Islamic fundamentalists, Ayatollah Ruhollah Khomeini

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