- Title Pages
- [UNTITLED]
- Dedication
-
Introduction Taking it Personally -
1 Some Thoughts on the History and Historiography of Russian Music -
2 For Ukraine, He's a Native Son, Regardless -
3 “Classicism” à la Russe -
4 A Wonderful Beginning -
5 Dargomïzhsky and His Stone Guest -
6 Pathetic Symphonist -
7 Chaikovsky and the Literary Folk -
8 The Great Symbolist Opera -
9 Chaikovsky as Symphonist -
10 Russian Originals, De- and Re-Edited -
11 A New, New Boris? -
12 Christian Themes in Russian Opera -
13 The Case for Rimsky-Korsakov -
14 Kitezh -
15 Sex and Race, Russian Style -
16 Yevreyi and Zhidy -
17 The Antiliterary Man -
18 From Fairy Tale to Opera in Four Moves -
19 To Cross that Sacred Edge -
20 Prokofieff's Return -
21 Tone, Style, and Form in Prokofieff's Soviet Operas -
22 Great Artists Serving Stalin Like a Dog -
23 Stalin Lives On in the Concert Hall, but Why? -
24 The Last Symphony? -
25 For Russian Music Mavens, a Fabled Beast Is Bagged -
26 Restoring Comrade Roslavets -
27 When Serious Music Mattered -
28 Casting a Great Composer as a Fictional Hero -
29 Shostakovich's Bach -
30 Five Operas and a Symphony -
31 Hearing Cycles -
32 Of Mice and Mendelssohn -
33 Current Chronicle -
34 The Rising Soviet Mists Yield Up Another Voice -
35 Where is Russia's New Music? -
36 North (Europe) by Northwest (America) - Index
Pathetic Symphonist
Pathetic Symphonist
Chaikovsky, Russia, Sexuality, and the Study of Music
- Chapter:
- (p.76) 6 Pathetic Symphonist
- Source:
- On Russian Music
- Author(s):
Richard Taruskin
- Publisher:
- University of California Press
This chapter produces a research on the life of Pyotr Ilyich Chaikovsky as symphonist and the controversy surrounding the composer's alleged suicide. As Chaikovsky gained fame as a composer, eventually becoming the most famous Russia had ever produced, his private life increasingly became the object of lewd speculation. To counter this, he had taken it into his head to marry, despite what Nina Berberova, his most mondaine biographer, liked to call his “complex sexuality.” The great fiasco that ensued left Chaikovsky a wedded bachelor for the rest of his life and made his secret, one which he had in common with Musorgsky, Balakirev, and sundry lesser fry, to confine matters only to Russian composers. His life was punctuated by personal crises and depression. Contributory factors include his mother's early death, his suppressed homosexuality, and the collapse of the one enduring relationship with the wealthy widow Nadezhda von Meck. Chaikovsky's sudden death at the age of 53 is generally ascribed to cholera, but some attribute it to suicide.
Keywords: Pyotr Ilyich Chaikovsky, alleged suicide, Nina Berberova, mondaine, Nadezhda von Meck
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- Title Pages
- [UNTITLED]
- Dedication
-
Introduction Taking it Personally -
1 Some Thoughts on the History and Historiography of Russian Music -
2 For Ukraine, He's a Native Son, Regardless -
3 “Classicism” à la Russe -
4 A Wonderful Beginning -
5 Dargomïzhsky and His Stone Guest -
6 Pathetic Symphonist -
7 Chaikovsky and the Literary Folk -
8 The Great Symbolist Opera -
9 Chaikovsky as Symphonist -
10 Russian Originals, De- and Re-Edited -
11 A New, New Boris? -
12 Christian Themes in Russian Opera -
13 The Case for Rimsky-Korsakov -
14 Kitezh -
15 Sex and Race, Russian Style -
16 Yevreyi and Zhidy -
17 The Antiliterary Man -
18 From Fairy Tale to Opera in Four Moves -
19 To Cross that Sacred Edge -
20 Prokofieff's Return -
21 Tone, Style, and Form in Prokofieff's Soviet Operas -
22 Great Artists Serving Stalin Like a Dog -
23 Stalin Lives On in the Concert Hall, but Why? -
24 The Last Symphony? -
25 For Russian Music Mavens, a Fabled Beast Is Bagged -
26 Restoring Comrade Roslavets -
27 When Serious Music Mattered -
28 Casting a Great Composer as a Fictional Hero -
29 Shostakovich's Bach -
30 Five Operas and a Symphony -
31 Hearing Cycles -
32 Of Mice and Mendelssohn -
33 Current Chronicle -
34 The Rising Soviet Mists Yield Up Another Voice -
35 Where is Russia's New Music? -
36 North (Europe) by Northwest (America) - Index