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Jewish IdentitiesNationalism, Racism, and Utopianism in Twentieth-Century Music$
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Klara Moricz

Print publication date: 2008

Print ISBN-13: 9780520250888

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520250888.001.0001

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Zhidï and Yevrei in a Neonationalist Context

Zhidï and Yevrei in a Neonationalist Context

Chapter:
(p.55) Chapter 2 Zhidï and Yevrei in a Neonationalist Context
Source:
Jewish Identities
Author(s):

Kálra Móricz

Publisher:
University of California Press
DOI:10.1525/california/9780520250888.003.0003

In an essay entitled “Aladdin's Lamp” and published on the occasion of the edition of An-sky's The Jewish Artistic Heritage, Abram Markovich Efros, a leading Russian art critic, described a form of neonationalism. It was a creative combination of folk art and modernism in which the supposed authenticity of folk art lent stylistic credentials to modernist art. In the debates about the sources of Jewish art music, an opposition was similarly constructed between the near past and ancient times, between the Oriental-sounding Yiddish folk music and the less Orientally colored sacred music that, many believed, was historically traceable to Biblical times. In this new phase of Jewish art music, kuchkist preoccupation with folk music as an expression of national identity was replaced with a neonationalist orientation, in which national musical sources were abstracted.

Keywords:   Russia, folk art, Abram Markovich Efros, neonationalism, Jewish art music, Yiddish folk music

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