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Bach's Cycle, Mozart's ArrowAn Essay on the Origins of Musical Modernity$
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Karol Berger

Print publication date: 2007

Print ISBN-13: 9780520250918

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520250918.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 23 October 2019

Interlude

Interlude

Jean-Jacques contra Augustinum: A Little Treatise on Moral-Political Theology

Chapter:
(p.131) Interlude
Source:
Bach's Cycle, Mozart's Arrow
Author(s):

Karol Berger

Publisher:
University of California Press
DOI:10.1525/california/9780520250918.003.0006

This chapter tells the story of the transition from the premodern Christian moral-political outlook to the modern post-Christian worldview, providing a larger context for the musical developments, a context for understanding how people got, in a mere sixty years, from a work like the St. Matthew Passion to a work like Don Giovanni. It presents the perspective from which the music is seen here, recounting the emergence of human autonomy and a consequent transformation in the fundamental experience and understanding of how time is shaped. This is the story of how people exchanged time's cycle for time's arrow, and why. In their thinking about both the moral and the natural realms, the moderns shifted the balance of their esteem decisively from eternity, rest, and immutability toward time, motion, and change. Modernity, scientific as well as moral-political, is at bottom an attempt to emancipate linear time.

Keywords:   premodern Christian, post-Christian worldview, St. Matthew Passion, human autonomy, time's arrow, linear time

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