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Making Music in Los AngelesTransforming the Popular$
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Catherine Parsons Smith

Print publication date: 2007

Print ISBN-13: 9780520251397

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520251397.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 04 August 2021

Music Making as Popular Practice

Music Making as Popular Practice

Chapter:
(p.1) 1 Music Making as Popular Practice
Source:
Making Music in Los Angeles
Author(s):

Catherine Parsons Smith

Publisher:
University of California Press
DOI:10.1525/california/9780520251397.003.0001

This chapter discusses the gap between the arrival of American musical romanticism and the emergence of musical modernism during the first few decades of the twentieth century. Unlike previous reports, it introduces Los Angeles as the center of music in 1910, due to the fact that there were more musicians and music teachers working there than any other city in America. The chapter then goes on to explain the various topics studied in this book, which is concerned with music making and popular music during the Progressive Era, as well as the experiences and careers of several musicians. It also provides a brief overview of the three main parts of the book.

Keywords:   musical romanticism, musical modernism, Los Angeles, music making, popular music, Progressive Era

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