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Making Music in Los AngelesTransforming the Popular$
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Catherine Parsons Smith

Print publication date: 2007

Print ISBN-13: 9780520251397

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520251397.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 04 August 2021

Second Thoughts

Second Thoughts

Chapter:
(p.202) 14 Second Thoughts
Source:
Making Music in Los Angeles
Author(s):

Catherine Parsons Smith

Publisher:
University of California Press
DOI:10.1525/california/9780520251397.003.0014

This chapter identifies the event that led music aficionados and audiences to rethink the ultramodern performances which were introduced in Los Angeles, arguing that the negative reaction to the ultramodern is actually a symptom of a wider cultural shift. It states that the changes in music making were the technological, the gender related, the entrepreneurial, and the now redefined popular, emphasizing that, after 1926, the Progressive-era culture of music making went through significant changes.

Keywords:   ultramodern, negative reaction, cultural shift, music making, Progressive-era culture

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