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Wagner Beyond Good and Evil$
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John Deathridge

Print publication date: 2008

Print ISBN-13: 9780520254534

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520254534.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 05 August 2021

Wagner and Beyond

Wagner and Beyond

Chapter:
(p.227) 17. Wagner and Beyond
Source:
Wagner Beyond Good and Evil
Author(s):

John Deathridge

Publisher:
University of California Press
DOI:10.1525/california/9780520254534.003.0017

This chapter examines the phenomenon of the demise of operas. Although not the only one, Wagner was someone who left an indelible stamp on twentieth-century opera. Every figure of importance is said to have reacted to him, and rarely indifferently. The (now underestimated) literary impact of Wagner's manifestos against opera contributed to its supposed demise not only with polemical brevity but also with eye-crossing tedium in longer theoretical treatises that nevertheless seem to have impressed influential figures in the later part of the nineteenth century. Finally, the chapter suggests that Wagner's influence raised the stakes of opera to such a pitch that it proved extremely difficult for those after him to choose the right form of musical dramaturgy, and to reconcile that choice with the heavy demands placed on works of art in the modern era.

Keywords:   demise, operas, Wagner, polemical brevity, musical dramaturgy, modern era

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