- Title Pages
- [UNTITLED]
- Dedication
- Preface
- Acknowledgments
- Introduction
-
1 Use, the Useful, and Public Utility -
2 Reinscribing the Revolutionary Legacy -
3 Music as Political Culture -
4 Regenerating National Pride -
5 Imagining a New Nation through Music -
6 An Ideology of Diversity, Eclecticism, and Pleasure -
7 Musical Hybridity and the Challenges of Colonialism -
8 Useful Distractions and Economic Liberalism in the Belle Epoque -
9 Music as Resistance and an Emerging Avant-garde -
10 The Symbolic Utility of Music at the 1889 Universal Exhibition -
11 New Alliances and New Music -
12 The Dynamics of Identity and the Struggle for Distinction - Coda
-
Appendix A. Important Political and Musical Events In the Early Third Republic -
Appendix B. References in MéNestrelTo Performances of FrenchOpERaS Abroad, 1872–1888 -
Appendix C. Selected Publications On Revolutionary Music After 1870 - Illustrations
- Musical Examples
- Index
- [UNTITLED]
New Alliances and New Music
New Alliances and New Music
- Chapter:
- (p.595) 11 New Alliances and New Music
- Source:
- Composing the Citizen
- Author(s):
Jann Pasler
- Publisher:
- University of California Press
This chapter determines why the 1890s were one of the most exciting, richest, and most productive periods in French music history. It studies other powerful cultural forces that came before the Dreyfus Affair and influenced music and its meanings. It investigates the changes in the nature of both the Right and the Left as they impacted music and the musical world.
Keywords: French music history, cultural forces, Dreyfus Affair, musical world
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- Title Pages
- [UNTITLED]
- Dedication
- Preface
- Acknowledgments
- Introduction
-
1 Use, the Useful, and Public Utility -
2 Reinscribing the Revolutionary Legacy -
3 Music as Political Culture -
4 Regenerating National Pride -
5 Imagining a New Nation through Music -
6 An Ideology of Diversity, Eclecticism, and Pleasure -
7 Musical Hybridity and the Challenges of Colonialism -
8 Useful Distractions and Economic Liberalism in the Belle Epoque -
9 Music as Resistance and an Emerging Avant-garde -
10 The Symbolic Utility of Music at the 1889 Universal Exhibition -
11 New Alliances and New Music -
12 The Dynamics of Identity and the Struggle for Distinction - Coda
-
Appendix A. Important Political and Musical Events In the Early Third Republic -
Appendix B. References in MéNestrelTo Performances of FrenchOpERaS Abroad, 1872–1888 -
Appendix C. Selected Publications On Revolutionary Music After 1870 - Illustrations
- Musical Examples
- Index
- [UNTITLED]
