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Composing the CitizenMusic as Public Utility in Third Republic France$
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Jann Pasler

Print publication date: 2009

Print ISBN-13: 9780520257405

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520257405.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 04 August 2021

The Dynamics of Identity and the Struggle for Distinction

The Dynamics of Identity and the Struggle for Distinction

Chapter:
(p.643) 12 The Dynamics of Identity and the Struggle for Distinction
Source:
Composing the Citizen
Author(s):

Jann Pasler

Publisher:
University of California Press
DOI:10.1525/california/9780520257405.003.0013

This chapter discusses how the French connected with identity through their music, while using the perspective of race, gender, and class. It first looks at how race helped distinguish the Self from the Other and understand if there was anything coherent in the nation. It then examines identity using female allegories, which were presented in the works from the 1870s, and lists the reasons why these were reconsidered. The chapter also studies other ways of thinking about identity during the late nineteenth century and reevaluates the social function of art.

Keywords:   identity, race, gender, class, female allegories, social function

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