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Signs of the TimesThe Visual Politics of Jim Crow$
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Elizabeth Abel

Print publication date: 2010

Print ISBN-13: 9780520261174

Published to California Scholarship Online: March 2012

DOI: 10.1525/california/9780520261174.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 20 October 2019

Introduction: Jim Crow’s Cultural Turns

Introduction: Jim Crow’s Cultural Turns

Chapter:
(p.1) Introduction: Jim Crow’s Cultural Turns
Source:
Signs of the Times
Author(s):

Elizabeth Abel

Publisher:
University of California Press
DOI:10.1525/california/9780520261174.003.0001

This book examines the pervasive and tenacious and variously mediated web of racial signage that stretched across much of the United States for three-quarters of a century and which lagged several decades behind the actual practices of racial segregation. First appearing in the closing decades of the nineteenth century inside train cars and outside station doors, hundreds of thousands of Jim Crow signs spread, through the early decades of the twentieth century, sporadically up and down both coasts and across much of the Midwest. “Jim Crow” names a defining crux of American racial politics and culture. This book looks at how race has always been intertwined with space in the United States. It also discusses how Jim Crow signs were produced, reproduced, and made visible and invisible to distinctive viewing publics, focusing on questions of mediation and memory. Moreover, it addresses the material history of Jim Crow signs, their tangible forms, and circuits of transmission; the circulation of Jim Crow photographs; and issues of race and gender in Jim Crow signs.

Keywords:   Jim Crow signs, United States, racial segregation, race, racial politics, culture, space, photographs, gender, memory

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