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Different DrummersRhythm and Race in the Americas$
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Martin Munro

Print publication date: 2010

Print ISBN-13: 9780520262829

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520262829.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 04 December 2021

Conclusion

Conclusion

Listening to New World History

Chapter:
(p.214) Conclusion
Source:
Different Drummers
Author(s):

Munro Martin

Publisher:
University of California Press
DOI:10.1525/california/9780520262829.003.0006

Racism is indeed a discourse of power “that thinks with its eyes,” and is a product of history and not nature that sets human difference in visual terms. The book focuses on the Caribbean, situating it within a broader New World frame and then shifting the focus to the United States. It explores some of the often hidden connections between African American and Caribbean experience. The most fundamental point made by auditory historians is that sound and subjectivity are closely linked and serve as “an index for identity.” The historic cultures, musics, and sounds in the Americas have engendered debates over the nature of civilization, humanity, and culture. Therefore, in focusing on four circum-Caribbean contexts and on one element of sound that is rhythm, it considers the ways in which sounds have shaped history, identities, and cultures.

Keywords:   racism, Caribbean, New World, United States, auditory historians, culture

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