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Absolute Music, Mechanical Reproduction$
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Arved Ashby

Print publication date: 2010

Print ISBN-13: 9780520264793

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520264793.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 18 September 2019

Digital Mythologies

Digital Mythologies

Chapter:
(p.123) 4. Digital Mythologies
Source:
Absolute Music, Mechanical Reproduction
Author(s):

Arved Ashby

Publisher:
University of California Press
DOI:10.1525/california/9780520264793.003.0005

This chapter takes a look at digital recordings as a turning point in the distributional and curatorial aspects of the history of music aesthetics, and tries to describe how it has effectively transformed people's relationship with musical performances and compositional styles of the past. It also studies the close relationship of aesthetics and technology in the twentieth century, the fluid nature of music, the convergence of access and ownership, digital remastering, and recording techniques.

Keywords:   digital recordings, music aesthetics, compositional styles, musical performances, access and ownership, digital remastering, recording techniques

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