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Primitive SelvesKoreana in the Japanese Colonial Gaze, 1910-1945$
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E.Taylor Atkins

Print publication date: 2010

Print ISBN-13: 9780520266735

Published to California Scholarship Online: March 2012

DOI: 10.1525/california/9780520266735.001.0001

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Introduction

Introduction

Chapter:
(p.xvi) (p.1) Introduction
Source:
Primitive Selves
Author(s):

E. Taylor Atkins

Publisher:
University of California Press
DOI:10.1525/california/9780520266735.003.0001

This introductory chapter begins with a brief discussion of the so-called “Korea Wave” in Japan. In the first decade of the new millennium, a number of K-pop stars secured huge, devoted followings in Japan; Korean songs became a staple in Japanese karaoke and Korean dramas were broadcasted nightly on Japanese television. The chapter then sets out the book's three principal arguments. First, it challenges the prevailing historiographical characterization of imperial Japanese attitudes toward Koreans and their culture. The second argument attempts to explain this appeal: colonial access to Korea gave Japanese an opportunity to meditate intensively on their own historical and modern identity. Finally, following accepted anthropological wisdom of recent decades, it is argued that the acts of gazing and being gazed at fundamentally transformed both the observer and the observed. An overview of the subsequent chapters is also presented.

Keywords:   Korean Wave, Korean culture, Japan, imperial Japanese attitudes, identity, K-pop

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