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From Madrigal to OperaMonteverdi's Staging of the Self$
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From Madrigal to Opera: Monteverdi's Staging of the Self

Mauro Calcagno

Print publication date: 2012

Print ISBN-13: 9780520267688

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520267688.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 27 September 2021

Text, Context, Performance

Text, Context, Performance

Chapter:
(p.15) 1 Text, Context, Performance
Source:
From Madrigal to Opera
Author(s):

Mauro Calcagno

Publisher:
University of California Press
DOI:10.1525/california/9780520267688.003.0002

Chapter 1 deals with the relationships between text, context, and performance in Monteverdi's Orfeo. The author discusses the issue of performance both in its meaning for the Italian courts of the early seventeenth century and in its meaning today as a philosophical concept, as well as in its concrete implications for stage directors producing Orfeo today.

Keywords:   Mantua, Venice, performance, nobility, opera

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